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hadn't really done any "new" coding for quite some time.









































but it was great to sit down and be doing it - it's funny how sometimes you're stuck, so you put it aside and do something else, then with your mind still sort of vaguely aware there was a problem you had or you weren't sure what else to do, it becomes very clear, precisely when you're not really paying attention to it.

anyway what has been satisfying is that i came across a few problems, and i figured out how to solve them, but i didn't resort to google or asking friends for advice, i just said "i want to be able to do this" and found a way. end result isn't efficient or "professional" but it works and it doesn't crash and it's doing more than i had originally wanted/intended (in a good way).

this is all for the lisa kellner / kazue taguchi collaboration (which i'll post more about another time) - the virtual component. first step was drawing some shapes with curves:













































































i wanted to have these revealing some video i shot of lisa's installation:








































problem was, a bit more of the video than just the shape was showing up - actually a really cool effect (which i would probably have trouble creating if i were trying to make it happen intentionally, but it wasn't what i wanted and in fact was, in this instance, specifically not what i wanted). here's a still:







































and a video (looked cooler in motion):

turned out that wasn't programming-related, i just wasn't importing the shapes from illustrator into flash correctly. relief.

the next day or the next next day or maybe the day after that, i had it pretty much doing everything i wanted it to do, here's a short video clip:

but after a minute or so, i would get a scary error message:








































every time something doesn't work, i get a bit nervous, i imagine i won't be able to fix it, or maybe nobody can it's just not fixable. and sometimes that's the case, which means - oh man - i have to do something else. but more often than not, it's just a matter of paying attention and trying to figure out what's going wrong. so i looked through my inefficient code and i found a few things which looked like they could cause problems, and i changed them, and now i'm all set, ready for the physical installation on thursday at the brooklyn arts council gallery. there are still a few things i want to play with (for example, i want to add more shapes, based on the stills kazue and i took last week). but i'm happy with what exists right now and it works, no errors, doing exactly what it is supposed to do. here's a screen-capture still:







































looking forward to sharing it properly on thursday.

more




























yesterday kazue came over with some of her work. i had been trying a few different things with the video component of our collaboration-in-progress, and we wanted to see what it looked like. we liked it! then we made some changes and looked at that. we're getting much closer to what we think we want a finished piece to look like.

today i looked at some of the images i took. here's a view looking directly up at the ceiling:


































all of the others are from other angles, and most of them are zoomed in a bit. the video and the number and position of the sculpture-mobile-things changed quite a bit as the afternoon progressed. what you're seeing in all of them is two projections onto kazue's hanging mobile-sculpture-things and the ceiling from which they are suspended. her pieces are made of highly-reflective silver mylar, and they keep moving with even the merest wind current. (basically they never stopped moving.) the video also keeps moving. so really i should post video - will come later. probably after we finish the piece and show it.

anyway, today i had a really hard time picking just one or two images to post. here are some stills of stills, when i was trying to choose the ones i wanted to show the most:

















































































































finally i decided i would show several, because it kept changing so much, we were able to see so many different things. i still think these look like something computer-generated - but they are just snapshots of what we were looking at, which existed in the real world. hope you enjoy.




































































































































































































this is real

last night went over to kazue's studio, we're working on a quick-n'-easy collaboration together. i think what we made looks computer-generated. but this is just a snapshot of something which existed in the physical world. we both said "wow" about a hundred times.




nitty gritty

haven't been blogging much because my machine has been rendering a lot and i've been doing things which seemed higher priority. but a lot of it isn't just working on art, it's practical and administrative things, this collaborative show has turned into a group show curated by me via word-of-mouth recommendations and referrals. it's super-fun but not the part that i love. my favorite times were the painting session with jeff and the video-shooting session with jason. you can see both results at the show. anyway all i want to show you is these ads, because i've never done any advertising before this project. not sure how much i'll be blogging between now and after the show is up - please come if you can make it!

http://www.facebook.com/event.php?eid=167926535341






































beautiful

the weather was fine and we saw some really interesting traffic cones. had been wanting to lead traffic cone viewing tours for years, so glad it went off without a hitch.





















east village traffic cone tours

































sunday, september 20, 2009

starting location: west entrance of tompkins square park (avenue a @ 9th street)

meet-up times: 11:00am, 2:00pm, 4:00pm

rain or shine


http://eriksanner.com/enjoycones

invitation to an exhibition

http://eriksanner.com/random/2009/how_to_enjoy_traffic_cones/Chashama_Press_Enjoy_Traffic_Cones_090825.pdf
































For IMMEDIATE RELEASE
Contact: Janusz Jaworski
212.391.8151 x 26
janusz@chashama.org

c h a s h a m a
presents
“How to Enjoy Traffic Cones”

A collaborative exhibition instigated by Erik Sanner
A chashama Windows project, at 266 West 37th St. (between 7th & 8th Aves)

Viewing Hours: Wednesday, September 30tt through Sunday, October 4th, from 12pm to 6pm
Opening Reception: Friday, October 2nd, 6pm-8pm

Directions: A, C, E, 1, 2, 3 to 34th Street or to 42nd Street (use 40th Street exit)
M16, M34 to 8th Ave; M10, M20 to 36th Street

FREE and open to the public
For more information visit www.chashama.org

Traffic cones are almost art. Like paintings, their primary function is to be looked at. How to Enjoy
Traffic Cones is an exhibition of contemporary new media art celebrating the aesthetic practice of traffic
cone viewing. Works include “Conescape,” an interactive piece by JudsoN and Erik Sanner, and “Eight
Views of a Traffic Cone, Eight Times Removed,” a new media installation by Jeffrey Chuang, Isaiah
King, and Erik Sanner. Additionally, a limited edition brochure suggesting ways to engage in traffic cone appreciation is available at the gallery. How to Enjoy Traffic Cones is made possible in part with public funds from the Manhattan Community Arts Fund, supported by the New York City Department of
Cultural Affairs and administered by the Lower Manhattan Cultural Council.

About the Artists:
Jeffrey Chuang is an art director, illustrator, designer, painter, father, tennis player, and, like many
people, deeply conflicted.
Jason Wilder Evans has shared stages with Steve Azar and the Nashville Star Tour. With his wife
Dawn-Lee, he is walking every street in Manhattan. Jason is currently working on a creative writing and video project called HIV: USA that will take place in every state.
JudsoN has been programming interactive artwork since 1996. His work has been featured in MoMA’s
web art collection, the Kennedy Center in Washington DC, and the Kitchen in NYC, among others. He
recently contributed to The Handbook on Computational Arts and Creative Infomatics.
Isaiah King’s prints, paintings and drawings pursue an ongoing study of the human form in all its
complex emotive facets while his design work is committed to the idea of encouraging public discourse
on social and political issues.
Erik Sanner integrates traditional media with technology to create dynamic installations he calls
“paintings that move.” He has been treating traffic cones as aesthetic phenomena for about fifteen years.

chashama is a NYC arts organization whose mission is to support artists of all genres. chashama adopts vacant properties that are donated by their owners and converts them into theatres, galleries, studios, and window performances sites; chashama then regrants this space for free or at heavily subsidized rates. Since 1995, chashama has transformed more than 20 vacant properties and has given more than 5,000 artists access to space.

* * *

201 East 42nd Street 32nd Floor New York, NY 10017 212.391.8151/53 fax chashama@chashama.org www.chashama.org